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The PracticeSpot Guide to
Promoting Your Teaching Studio

How to make your phone ring, fill your schedule, and create a waiting list you can't jump over

"Without promotion, something terrible happens. NOTHING!" P.T. Barnum

A teacher who fails to promote their studio is costing themselves thousands - and more likely tens of thousands of dollars - every year.

From the founder of PracticeSpot.com, and author of The Practice Revolution comes the most comprehensive guide to promoting your studio ever written - 240 pages of action you can take to address this area that most teachers overlook.

Order now

The PracticeSpot Guide to Promoting Your Teaching Studio

Look inside this huge guide!

240 pages
PracticeSpot Press, 2003

$28.99 with free delivery to your studio door

Special discount price for webvertisement subscribers
of $19.99 with free delivery.

Also by Philip Johnston:

:: The Practice Revolution
:: Not Until You've Done Your Practice

Section 1: Why this book was needed

  • Introduction
    • A welcome to the biggest Studio Promotion guide ever assembled

Section 2: Getting Started

  • Taking Stock
    • Undertaking a reality check of your past promotion activities.
  • Creating a copy of your Future Teaching Schedule
    • So the rest of the book can help you make it happen.
  • Setting the right fee
    • It's a big decision, but most teachers get this wrong. You'll be surprised at how.
  • Improving your desktop publishing skills
    • A look at how to develop your desktop publishing and layout skills so that you can produce your own professional-looking ads
      .
  • Your voicemail message
    • How to get this first impression right, and why it's worth spending serious time polishing it.
  • The qualification edge
    • An upgrade never hurts in the quest for more students. This chapter takes a look at some key areas to target.

Section 3: Campaign Elements

  • Your Yellow Pages Advertisement
    • Some of the most effective advertising you'll ever do, but how much should you spend?
  • The power of walking distance
    • Shouldn't be a reason that students come to you, but it often is. Here's how to take advantage of it.
  • Reciprocated business cards
    • An outline of a win/win tactic that can bring students from unexpected quarters
  • Becoming a media expert
    • It's not as hard - or as scary - as you think. This chapter gets you started.
  • Keeping yourself motivated
    • All this promotion is hard work. A timely look at how to keep yourself enthusiastic.
  • Setting up discounts for referrals
    • A look at how to make this work, without trapping yourself
  • Combining forces with other teachers
    • A step-by-step guide to getting an ad nobody can miss
  • Advertising a scholarship
    • More than a gesture, this chapter looks at how a scholarship can be a powerful student magnet
  • Setting lots of mousetraps
    • If only one type of ad is enough, Coca Cola would only have one type of ad. A look at why you want lots of ads working for you.
  • Creating a free-lessons holiday program
    • How to turn these trials into full-time fee paying students
  • Establishing a teacher exchange program
    • A look at how an exchange program works, and how it can help your phone ring.
  • Targeting niches
    • Examing why a jack-of-all-trades approach might not be the smartest way to build your studio numbers
  • Becoming involved in local schools
    • How to tap into the biggest source of students in your area
  • Calling on your strengths
    • The art of tailoring your choice of promoting strategy to your own unique abilities and preferences
  • Strategic Partnerships with music stores
    • How to estalish a presence and preferred-teacher-status with the stores that supply your future students.
  • Making use of your car
    • The art of promoting your studio while you sit at red lights.
  • Promotion with other child-based businesses
    • A look at how a variety of child-centered enterprises can help eachother grow - your studio too.
  • Writing your own column
    • An extension of the media expert promotion technique
  • Starting a choir or chamber group
    • With benefits going well beyond studio promotion, this chapter looks at how to set up your own ensemble
  • Effective use of promotional merchandise
    • There's a reason so many other businesses do this. This chapter looks at how you can tweak this technique to work for your music studio

Section 3: Campaign Elements (cont.)

  • Keeping local media informed
    • A how-to guide for getting your student successes listed in the paper
  • Selling a resource through a local store
    • A powerful credibility and profile enhancer for the creative teacher - this chapter looks at how it could work for you
  • Advertising student concerts
    • Your recitals are great opportunities for promotion - if you can get the right crowd along
  • Advertising and running a practice-athon
    • Good for your students' work rate, and attracting interest in your studio. This chapter outlines how to get your own practice-a-thon happening.
  • Letterbox drops
    • The must know guide to this widely - but badly - used technique
  • Learning from other ads
    • How to use other campaigns (and not just musical ones!) to inspire your own
  • Becoming active in your local MTA
    • How to become the colleague everyone recommends first
  • Offering free lessons as a raffle prize
    • More free lessons that can pay for themselves one hundred fold. A look at how to set this up.
  • How to give a free seminar for parents
    • A brief look at the art of presenting to prospective students, and how to make it an event to remember.
  • Being prepared to spend - budgeting for all this
    • A look at why you need to spend money to make money
  • Making the pie bigger
    • Because it's not a zero sum game. A look at how to make the whole idea of music lessons in your town more attractive.
  • Creating a competition...with a twist
    • How to build an event that can't be ignored
  • Newspaper advertising
    • Space limitations and expense mean that when you lodge this, it has to work. This chapter looks at how to get the results you need.
  • The power of repeated exposure
    • A look at why you shouldn't panic if an ad appears to produce no results
  • Making use of letters to the editor
    • An opportunity to become a known positive voice for music and the arts
  • Hosting your own community radio show
    • Seriously! Don't write this exciting promotion option off until you've read the chapter
  • Public bulletin boards
    • A lot of music teachers do this already - this chapter looks at how to make yours stand out from the crowd
  • Involving yourself in the community
    • Because that's where all your students will come from. A look at why you won't fill your studio if you try to operate as an island.
  • Stop thinking like a musician!
    • A surprising look at the ways your musical training can actually hold back growth in your studio
  • Mentoring up-and-coming teachers
    • Creating the perception - and the reality - that you're a master teacher
  • Setting up a studio webvertisement
    • The ultimate online presence for your studio

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